Chapter 9
“Tradition is not the worship of ashes, but the preservation of fire.” — Gustav Mahler

“Plants are called ‘emergent’ when they break the water’s surface,” Mrs. Owen explained to her Elementary Biology class. “Local examples include yellow water buttercups, named Ranunculus flabellaris by professor Rafinesque. They bloom this time of year in Maple Run, bearing yellow flowers that display radial symmetry — Clara! Quit staring out the window and explain to the class what radial symmetry is.”
“Eh … it’s when they broadcast jazz from the graveyard?”
“You either need to clean your ears or —” Mrs. Owen slapped the girl’s desk with a blackboard pointer three times: “Pay! Better! Attention!”
“Lord, I need a coffin nail,” Clara said under her breath as the teacher walked away.
Viv leaned over from the next row and whispered, “Don’t let that Trotsky get to you.” She held up a pack of Marlboros. “For after class. Mild as May.”
Clara’s eyes, already large behind the thick lenses of her round, tortoiseshell glasses, bugged further at the sight.
Viv turned to Doris behind her. “I’ve got enough if you want one too. I’m dying to show y’all something.”
“And how!” I’m actually going to inhale this time, thought Doris, who’d transferred to the school a few months earlier and was eager to make friends.
So they puffed the last class of the day away on a lawn along the east bank of the Wabash while Viv filled them in on the craziest thing Doris had ever heard. Supposedly, the ghost of Rafinesque, via a Ouija board owned by Occult Club Dabbler Velma, informed Viv of a treasure map concealed behind his portrait in the school’s main hallway.
“Why are you hanging around Velma — that vamp’s got freaky raccoon eyes,” Clara said, giving Viv a death stare.
“What difference does it make,” Viv said, pulling an old sheet of rag paper from her beaded purse. “What matters is the map was there. We’re going to get rich — and it’s going to keep that racist bank from taking pa’s repair shop.”
“I heard the town wants to turn it back into an opera house,” Clara said.
“Opera is dead.”
As if to prove her wrong, a voice from beyond a bend in the river floated toward the girls: a tenor singing the “Recondita armonia” (hidden harmony) aria from Puccini’s Tosca. A tall man in his 40s with thick eyebrows, a thin mustache and slicked-back hair came into view propelling a jon boat with a long pole. Dripping freshwater mussel cages were scattered across the deck. “Ciao, my name is Giovanni,” he said to the girls, tipping his boater hat as he drifted past. “It is nice to meet you, belle ragazze.”
“Don’t care … at all,” Viv muttered.
Doris smiled and waved, picturing herself reclining in the punt, gliding downstream as an Italian man serenaded her.
“Do you have a singing part in the play, Viv?” Clara asked.
“No, all the roles are speaking except a chorus that ‘provides narrative context’ — is how Rosabel put it. My Lord, she’s aggravating.” Viv, who sang in a church choir, preferred musicals but had been talked into her current role as Ethiopian princess Worknesh Zewditi because of her own African ancestry. “You know she’s convinced the senior class to install the eternal flame from the play in the middle of the labyrinth as their class project — just honor that Greek guy nobody’s heard of before.”
“We’re arranging plants around it in the Flower Club,” Doris said. “Reds and yellows like marigolds and poppies — and hummingbird vines to grow up the columns … Rosabel said they taste good, anyway.”
“Taste good? … wait, you’re in the Flower Club?” Clara asked. “I thought you were in the play.”
“Yeah, both. Cynthia said I’d make a perfect temple nymph, so I’m moonlighting.”
“That lady’s off her cob,” Clara said. “Anyway, they shouldn’t let somebody from outside the school run the Theater Club. She’s a bit rough — and couldn’t pull any of it off anyway without Rosabel’s help.”
“Shut your Skipper mouth,” Viv snapped and took a long drag off her Marlboro, sending a plume of smoke toward the heavens. “Cynthia’s divine.”
* * *
Doris tipped a jug of water over the hands of an Ephesian lawmaker standing at a basin. The worshiper then dried her hands on her tunic and scowled at another girl representing an old man with a long gray beard rolling bones across the stage floor, surrounded by urchins.
“Look at that fool! I’m busy making laws all day while Heraclitus wastes his time playing games in the hallowed temple of Artemis.”
“Snake eyes!” shouted the philosopher.
“’Tis an affront to the almighty goddess,” princess Zewditi said snootily as she waited in line for cleansing, reeking of cigarettes and holding a goat’s leash.
“Maa,” exclaimed the animal, seemingly in agreement.
“Sweet Zeus!” Rosabel shouted from offstage. “You’ve got a she-goat in the cleansing line and you’re the one shaming someone for sacrilege? The sacrifice line is over there!”
Rosabel buried her pixie-like face in her palm and shook her head. “We’re only two days from the premiere — we can’t still be making mistakes like that.” (She wasn’t even officially in the Theater Club, and no one had ever seen her in class for that matter.)
“Also, princess, you’re supposed to deliver that line with ambiguity — a little breathless … like he’s being a naughty boy,” the fairy continued. “You’re his metaphorical ‘flame,’ after all.”
The philosopher winked at Viv, and her face contorted in disgust.
“How about we come back to this scene later?” Rosabel suggested. “Let’s go straight to the end.” Sitting in the shadows by the chorus, Cynthia shrugged.
“Great! Slaves, roll in the flame!” Using ropes tied to a wheeled pallet, a group of girls dressed in rags pulled The Flame of Heraclitus onstage with an acetylene tank in tow. “No … over there, underneath the fairy. Perfect. Just make sure you don’t turn the … ”
A match flared. A slave grinned. A gas valve had been left too wide open. The actress playing the fairy, dangling over the stage by a rope, was mostly out of the ensuing blast zone, though, except for the long swallowtails of her gauzy dress.
“ … fire up too high.”
Doris grabbed her jug and tossed a plume of water toward the flames as they climbed the fabric … not quite hard enough, or in the right direction — but the stream changed course and found enough extra momentum to drench its target. Did I do that? she thought.
A slave managed to cut the flame down to only two feet. “I’m OK — you don’t have to let me down,” the girl on the rope said. “Let’s get through this.”
Rosabel told the dangling fairy that she admired her spirit, addressing her with the character’s actual Atlanten name, with all of its related drama. “You make me proud of myself.”
“Rose! Quit spitting everywhere, and let’s get going,” said Cynthia, her eyes narrowed and glinting silver.
“Yes, a rose! But this one makes no loogie!” exclaimed the Italian boatman from earlier, holding up a single red blossom. “Ciao, Signorina!”
“Oh, no,” Cynthia muttered. “That freak gives me the heebie-jeebies.” Then addressing the sudden visitor, she said sternly: “Like I told you before — buzz off!”
He looked crushed. “One day, you are chasing after me — after my river gold, sinceramente.” He held up a hand, bringing his fingers together pointed upward, and shook it — then he tossed the flower to the floor and stormed out.
“What’s that about ‘river gold,’ Cynthia,” Viv asked nervously. “Cynthia?”
“No idea.” The woman rose from her stool, standing just over six feet tall, and clapped her hands. “To your places — Herostratus! Flame Keeper!”
With the lingering odor of melted tulle and clams in the air, the crew lowered a painted backdrop depicting a large temple chamber. The Flame Keeper took her place in a parlor chair with red cushions next to the fire and a stack of scrolls on a pedestal. Then she touched her head and looked up. “She’s dripping on me … and my seat’s wet.”
“Stick to your lines,” Rosabel commanded.
“Sorry!” said the Flame Keeper — then to Herostratus: “Why are you carrying a torch. Is The Flame of Heraclitus not bright enough to illuminate the temple?”
Sporting a large, fake cheek scar, Herostratus limped back and forth holding a small bundle of sticks with orange tissue paper glued to the top. “I will need no one else’s light soon enough — my own will burn brightly for generations.”
“I know not of what you speak. You’re a nobody. Heraclitus’ flame still burns brightly because he described the true nature of things, which is fire.”
“But how quickly could the light from the Book of Heraclitus be extinguished — by fire, of all things?” Herostratus waved the torch toward the scrolls. The Flame Keeper gasped.
“What’s to stop me from destroying them along with everything else mighty Artemis holds dear in this temple while she’s off playing midwife in Macedon. Behold, as I turn the twilight of the gods into the noontide sun!” Herostratus waved the torch near the flame bowl. “If I drop this into the pit of Greek fire feeding The Flame of Heraclitus, how long do you think I’d remain a nobody?”
The Flame Keeper screamed and ran.
“Remember the name Herostratus!” He tossed in the torch and raised his arms in triumph as two rows of flame bearers ran across the front of the stage, shaking sheets of red chiffon from wooden rods.
The fairy was lowered over the scrolls but she couldn’t grab them in the conflagration. She wailed and shook her fists at the Fates.
The chorus sang: “’Tis lost to flames for good — the book with all the truth.” They too wept loudly.
Cynthia also teared up.
“Here, cheer up, have a Moon Pie,” Rosabel said, handing her one. “Destruction is a necessary part of the cycle of history.”
The fairy was about to take the thread into the metaphysical realm when a girl threw open the auditorium doors from the outside and yelled, “Somebody help! A goat’s jumped a greaser!”
***
Each year as school came to an end, the Occult Club performed a ritualistic summoning of Pan — it was fun and, depending on what pictures they’d seen of the god, seemed a bit naughty. But it had never actually worked … until that evening.
The faun was already lurking in the shadows, in full stalking mode because Artemis and one of her nymphs were nearby. His long ears were pinned back in anger as he peered through a row of bushes near prostrate Owls in dark purple cloaks. He’d seen the boatman greet the nymph and two other girls earlier on the riverbank — then, from the wooded fringes of campus, he witnessed the foreigner sneak into the school conservatory, steal a rose and enter a wooden building where the goddess and nymph were performing some kind of fire ritual from the homeland. (He learned the last part from a goat in a pen next to the structure; from what he could gather, it had been forced to take part in a series of mock sacrifices.)
***
Doris followed the group of actors and stagehands to the lawn beside the auditorium, where the faun had Giovanni pressed to the ground with his goat legs while raining down blows with human fists.
From nowhere, a creature resembling a butterfly appeared in front of his face, its arms crossed and eyes shooting 3,000-year-old daggers. Pan leapt from his victim and his hooves dug into the turf as he sprung back into the woods.
Giovanni managed to stand on his own, rubbing his battered face with trembling hands. He looked around at the girls, some dressed in hooded robes and others in Greek tunics. “Stay back, witches,” he said, making horns with his forefinger and pinky. Then he turned and ran toward the river.
* * *
From the “Sour Grapes” column of the New Harmony Grapevine, May 15, 1925:
The ‘Shame’ of Heraclitus: NHGA play torches good taste
“The Flame of Heraclitus” is set in the Greek colony of Ionia along the coast of what is now called Turkey, which is apt. But to call this production of the New Harmony Girls Academy a “turkey” would be unfair to both the new nation and bird. Never in this town’s increasingly disreputable history has there been such a demonstration of godless despair, moral depravity and reckless use of fire.
“Baloney … we turned the flame down,” said Viv, starting to fold back up the Grapevine she’d laid out on the lunch table.
“Wait,” said Doris, grabbing the paper and tapping the Sour Grape below the review.
It read:
Local goose lays golden ‘egg’
Aesop, who is said to have lived on an island near Heraclitus in time and space, described a goose that laid golden eggs. Last Wednesday, local farm girl Bridget Meir found a bead of pure gold in a dropping left by one of her geese along the riverbank near the confluence of Maple Run. When asked if she plans to keep an eye to the ground for more golden guano or go ahead and cut open her feathered friend to see if there’s treasure inside, it seems she’s learned something from the Greeks: “No way I’d kill such a talented bird,” Meir proclaimed.
“Looks like we need to pay a visit to the Meir farm,” Viv said.
The following Friday, the Grapevine ran this story across its banner:
GOOSE GIRL GONE; FOWL PLAY SUSPECTED
NEW HARMONY, Ind.–May 22, 1925—Is 15-year-old farm girl BridgetMeir sending police on a wild goose chase, or did something more sinister happen Tuesday along the banks of the Wabash?
The afternoon started innocently enough. Picture the bucolic scene: Meir whistling sweetly to gather her flock of geese for a short walk to the river where they swim and graze. Her calls also seem to have drawn four girls she’d never met, looking smart in clean academy uniforms — unexpected barnyard visitors who later admitted they weren’t there to make friends; instead, they’d read last week’s Sour Grape on Meir finding an ‘egg’ made of gold.
“None of us saw her get snatched, so this is just speculation,” said Rosabel Neverland, the apparent leader of this gang of Goldbug Girls, “but I’d bet a hundred drachmas the Goat Man snatched her. Why, just the other day we saw it assault an immigrant on school grounds.”
Police Chief William Owen confirmed rumors that a cult ritual involving goats may have gotten out of hand at the academy earlier this month. But no report was taken, and school administrators declined to comment. (See last week’s Sour Grape on their recent Greek tragedy — in the sense of a tragic lack of value or meaning.)
“A girl is missing,” added Chief Owen. “This is a serious incident, and it’s not helpful to get distracted about some fairytale creature. One of the girls at the scene mentioned seeing a large black snake with a strange marking, but there’s nothing like that around here big enough to drag off what’s basically a grown woman.”
While the Goldbug Girls supposedly didn’t see Meir’s supposed abduction, they were close enough to hear a scream. When they went to see what was wrong, they found two dead geese stomped flat in a depression resembling the print of an enormous beast and ten live ones flapping around hissing and honking. White feathers littered the mud like dogwood petals after a storm.
“We’d left her by the riverbank because the geese were starting to bite us … I guess they were nervous about something,” Neverland said. “She had a long stick she used to keep them together, but she wouldn’t beat them with it like I begged her to.”
Chief Owen hasn’t ruled out any suspects, and he ordered the Goldbug Girls to remain in New Harmony after the school year ends because of the investigation.
The events of Tuesday leave us with a series of questions lacking easy answers. Is New Harmony now New Klondike? Did the Goat Man make off with the Goose Girl? And is there any hope for the Flapper Generation?
Chapter 10 of The Flame of Heraclitus gets lit Dec. 30. Catch up with the Prologue. (Originally published on X.)







